Patrick Doyle

Gosi travels to Ekiti for his best friend Derin’s wedding. Adamma, Gosi’s wife stays behind due to an illness but encourages Gosi to have a good time at the wedding. Gosi is driving the newlyweds back to the hotel when they are attacked by bandits posing as cattle herdsmen. Halil, the leader of the breakaway bandit group orders Anas his lieutenant, who has eyes on Derin to roundup the group as they vanish into the forest. Garba, the DSS officer in charge of the anti-kidnapping desk in Ekiti is called into the station from the hospital where his wife has just given birth to their first child.

He came with vision. They came with politics…who really wins when the system plays its game?

The film follows the story of Adunni, portrayed by Funmi Ogidan-Bello, a fearless Nigerian woman and a passionate barrister trapped in a land ruled by a ruthless tyrant.

The Powerhouse: Ireti has fought her way to the top, but the battle is far from over. With her son back in the picture, can she keep her focus on her ultimate goal?

A woman who rediscovers love after being left at the altar, all while facing the challenges of rebuilding her life following the seizure of her father's wealth.

Isoken is beautiful, successful, and surrounded by great family and friends, but she's still single at 34--a serious cause for concern in a culture obsessed with marriage. Isoken is a romantic dramedy that explores cultural expectation, racial stereotypes, and the bonds that unite families in touching, dramatic, and comedic ways.

Flower Girl is a 2013 Nigerian romantic comedy by Michelle Bello. It centers on Kemi, a sweet but impatient florist who dreams of marrying her long-term boyfriend, Umar—a lawyer promising engagement once he becomes a partner. When he finally secures the promotion, she expects a proposal—but instead, he calls off the relationship. Heartbroken, Kemi is struck by a star actor, Tunde Kulani. Tunde, sensing a PR opportunity, offers to pose as her new boyfriend to reignite Umar’s jealousy. As the charade plays out, Umar does become jealous—but things don’t go as Kemi plans. Unexpectedly, Tunde starts to fall for Kemi, and she begins to see aspects of herself she’d forgotten in her fixation on marriage. What began as a ploy becomes a deeper journey: learning about genuine love, self-worth, and what truly matters in a relationship. Ultimately, Kemi must choose—not just between two men, but between fantasy and real emotional connection.

Sin is a gritty new crime thriller series that pushes the boundaries of Nollywood storytelling. Set against the backdrop of Nigeria’s complex socio-economic and political landscape, Sin confronts the dark undercurrents of drug abuse and societal decay. The series follows characters caught in the dangerous crossfire of tradition, modernity, and survival especially among the youth.

Sin is a gritty new crime thriller series that pushes the boundaries of Nollywood storytelling. Set against the backdrop of Nigeria’s complex socio-economic and political landscape, Sin confronts the dark undercurrents of drug abuse and societal decay. The series follows characters caught in the dangerous crossfire of tradition, modernity, and survival especially among the youth.

Four Nigerian women over 30 navigate love, friendship, and societal pressure to settle down. Balancing careers, growth, and evolving relationships, they challenge norms in a world that often defines women by status.